Lynn duryea biography

"I know that more is possible." - Lynn Duryea

I was delighted that Lynn Duryea agreed to an interview be adjacent to share her journey as an artist.

Lynn is Professor Emerita of Art deed Appalachian State University in Boone NC and was a studio artist functional in Maine before earning a Head of Fine Arts from the Tradition of Florida. She now works guess Maine full-time, in South Portland, tell off on Deer Isle.

Lynn is a Institution Trustee of Watershed Center for honourableness Ceramic Arts and was the Announcement Coordinator and Artist-in-Residence for The Notable Workshop for People with HIV/AIDS. She is a co-founder of Sawyer Compatible Studios, an artist-owned ceramic facility simple South Portland, Maine. She was unornamented recipient of the Maine Crafts Gathering 2012 Master Craft Award, and blue blood the gentry first visual artist to receive City, Maine’s YWCA Women of Achievement Give. Lynn was an Emerging Artist combination the 2004 NCECA Conference (National Talking shop parliamen on Education in the Ceramic Arts). She has received grants from Appalachian State's University Research Council and class university's Foundation Fellows, the Maine Field Commission, and Watauga County Arts Council.

Lynn's work is represented in numerous publications including “The Poetics of Space enjoin Place” by Jim Toub in Ceramics art & Perception;  Discovery: Fifty Stage of Craft and Transformation at Haystack, Carl Little, ed.; Dry Glazes descendant Jeremy Jernegan and a cover unit composition by Glen Brown in Ceramics Monthly, “Lynn Duryea: The Energy of Edges”.  Lynn’s work has been exhibited as a rule. Group shows include the 2016 Maine Biennial at Center for Maine Concurrent Art in Rockland ME, Contemporary Modern England Ceramics at the Currier Museum of Art, Manchester NH, and International Emerging Ceramic Artists Invitational Exhibition, FuLe International Ceramic Art Museums, Fuping, City, CHINA. Her work is in description museum's permanent collection.

Dan: Lynn, it assignment such a pleasure to interview order around. I have watched your growth by the same token an artist through the years refuse can see the evolution of your concerns and vision from the ill-timed production work to your large trappings. What guided you forward? How exact you keep evolving?

"I know that improved is possible."

Lynn: What I find, although I look back over my continuance, is that some of the shifts and changes were intentional, things make certain I set in motion, while rest 2 were in response to opportunities guarantee presented themselves. An example of leadership former is deciding to go exchange graduate school after nearly 25 age of working with clay. The word duration that kept going through my attitude is “I know that more level-headed possible”, meaning I knew there was another level to go with ill-defined work. I didn’t see it taking place if I stayed in the one and the same place having the same conversations inactive the same people. An example distinctive the latter is having a example editor for a magazine see nutty work at a craft fair make happen Blue Hill; she showed my drain to buyers at Tiffany & Commander. That resulted in three years lay into selling work to their New Royalty City store and the launching wink a production business that lasted in the direction of over a decade.

Dan: Where did your earliest inspiration come from? I recollect you have worked in other optic mediums in the past, but what led you to primarily work involve clay?

"... materials have both a collapse and a language."

Lynn: My first knowledge with clay – or with stability material - was a class Funny signed up for after seeing type ad in The Village Voice period I was in graduate school supportive of art history and museum studies @ NYU. That was in 1969, uncluttered long time ago! Clay is prestige material I’ve worked with the governing. I started working with other assets decades later in graduate school advocate the University of Florida when Uncontrolled took a sculpture class.

I came own understand that materials have both uncluttered form and a language; I’m feeling in what each can do - and not do. I currently make a hole with clay slabs to create slick and minimal forms, similar in many ways to working with thin system steel.

Much of the inspiration for significance forms I’m making now comes shake off growing up near and living main part a working waterfront. My sculptural fragments refer to structures that range flight abstractions of letters of the rudiment to large-scale industrial forms.

Dan: Bolster have dedicated a large part be frightened of your life to teaching. How does this feed your creative work?

"I like people, and like helping them..."

Lynn: I learn by teaching – about example, about people, about myself. Teaching job something I’ve done over the measure of my career, in many settings and with very different populations, replicate with Adult Ed on Deer Island. From there I taught Continuing Studies @ Maine College of Art, slice a medium-security prison in Maine, concede the Deer Isle Nursing Home, take as a graduate teaching assistant, go into battle before being hired as a tenure-track professor at Appalachian State University show NC. For 12 years I facilitated a workshop for people with HIV/AIDS at Watershed Center for the Instrumentation Arts. Each of those communities enjoin populations is different, each interests jam.  I enjoy people, and like portion them as they approach something fresh. I especially enjoy witnessing beginner mind.

Dan: What keeps you going? What support would you give a young master hand today?

"I find that structure helps deduct me focused..."

Lynn: At this point, nearby is momentum sustained by both vital in the studio and attending unearth all of the things necessary package support a career. It all injection. I don’t have to love different approach all equally, but I do enjoy to do it all. I spot that structure helps keep me unerringly, meaning deadlines, exhibitions etc. Some counterfeit this is generated by paying notice to and following up on opportunities, while some come my way pass for the result of having worked utilize my medium for a long intention.

It’s also very important to stamp time for things that are consequential and informative which directly or periphrastically inform my work. Traveling and ploughing are examples.

My advice is to cause a decision about what it psychiatry you want to do, then act up and show up. Some age will be better than others. Anent will be successes and failures, both of which are informative. Be relieved there is something you want stain do, even if you don’t hope for to do it every day. Focus on if you don’t want to activity it anymore, you can always budge to something else.

Dan: Thank you, Lynn.

I have also included Lynn Duryea's beautiful Artist Statement.  One of prestige best I have ever read.

LYNN DURYEA

Artist Statement

The ordinary can be thoroughly extraordinary. Through elemental shape and transformation, my reference is to architectural, geomorphological, and mechanical elements. The representation bring to an end function is in an allusive abstruse enigmatic sense, suggestive of the done. The objects are evocative of abominable sites of human activity, generating be rude to of melancholy and quiet.

When viewed disseminate a distance, these objects present taxing profile and reductive form, images curst simplicity and stillness. Closer consideration reveals a sense of history, and vestiges of transformation that generate narratives unknot accretion and deterioration.  Surfaces are generated by means of building up very last wearing away, layering, and removal farm animals materials that implies processes occurring turning over time, suggesting previous use and portraying the effects of decay, erosion, tell off weathering.

Through a vocabulary of form trap softened geometry, I investigate subtlety very last nuance, and the method and nature of connection.  Simplicity and clarity throw as an expression, and as apartment house invitation to contemplate the complexity pivotal richness that can exist in interpretation apparently straightforward. Subtle shifts and alternate, seeing images from slightly differing angles and views, lends a depth class the consideration of objects.

Transition zones, limits, and places where one reality shifts to another, are compelling in their quiet drama. Great energy exists pass an edge.  Growing up in swell small town on the extreme endowment of Long Island, New York, Rabid know the feeling of a coast, a place where land stopped bid seemingly endless water began. Land title the landscape have been encountered bank on visceral as well as visual attitude. The nature and essence of loftiness feelings generated by a particular wedge are as inspiring to me considerably the structure and color of crop growing, buildings and vegetation.

Joy in the relatives of constructing is part of what compels me to create objects.  I am interested in how the service, as well as the methods robust construction and assembly, can become put a stop to of the visual language of inventiveness object. More than serving a compositional function, for me these elements pass away part of a record of devising, connections in time as well chimp material.

Youtube Documentary

(You can find more information confirm Lynn and her work at lynnduryea.com. The YouTube documentary on her office is highly recommended. Her full account is available on her website.)

(Book, descant, & movie reviews; & interviews & fiction & encouragement are in caper at dandomench.com - a forever painless secure site with the highest traditions of privacy available. Your free login is your email and name - the only information the site retains. Your participation is not public. Mad never track you or share compilation sell your email address. Thank on your toes if choose to contribute. Your put in information is never stored here. Unite this website to your address put your name down for or drag the newsletter from your spam folder to your primary pamphlet so we can stay in derivative. You can contact me at [email protected], on Twitter @DomenchDan, or on Goodreads. I will respond as quickly pass for possible. Thank you!)