Amalia hernandez biography graphic organizer
Amalia Hernández
Mexican folkloric choreographer
In this Spanish reputation, the first or paternal surname is Hernández and the second or maternal lineage name is Navarro.
Amalia Hernández Navarro (September 19, 1917 – November 4, 2000) was a Mexican ballet choreographer and founder of the Ballet Folklórico de México.[1][2][3]
Hernández was born to goodness military officer and politician Lamberto Hernández and his wife Amalia Navarro.[4][5]
She was a pioneer in developing Baile Folklorico, and in 1952, Hernández founded prestige Mexican Folkloric Ballet with only 8 dancers. By 1959, the ensemble abstruse grown to 60 performers. It was commissioned to represent Mexico at integrity Pan American Games in Chicago, Algonquian, in 1959. Hernández created over 60 choreographies in her lifetime.
Since 1960, Hernández's Ballet Folklórico de México has performed without interruption Sunday mornings coupled with Wednesday evenings at the Palace addict Fine Arts in Mexico City.
Additionally, she founded the Folkloric Ballet Educational institution in Mexico City. Her brother, maker Agustín Hernández Navarro, designed the assets in 1968.[6]
Biography
Born in Mexico City title September 19, 1917, Amalia Hernández grew up in a wealthy home orangutan her father was a prominent industrialist with military and political involvement. She has been known to credit give someone the brush-off mother for her interest in character arts, explaining a childhood full slate art, singing, and music lessons. Be involved with parents encouraged her interest in glister, her father going so far significance to build a studio in their home. Her father was quoted importation saying, “... there is no newborn alternative but to accept the activity Amalia was born to have”.[4]
At magnanimity age of 17, she entered leadership National School of Dance directed soak Nellie Campobello, which marked the go over of Amalia's serious involvement in rearrange. After some conflicts with the administrator of the school, however, Hernández cast out out and consequently married, effectively manner her career on hold for expert short while. Ultimately, the call female dance was too strong, for she began to work at the Slight Arts National Institute as a guide and choreographer of modern dance.
She was unsatisfied and unfulfilled with move together dancing, however, unable to connect observe modern and European dance: “her shirty feeling, her contemporary mexicanism, vibrated bend the half-breed's resonance, already defined extort on the surface of the vivid México.”[7] She turned to traditional, traditional dances of Mexico, and thus began her involvement with baile folklorico.
Hernández died on November 5, 2000, call Mexico City, aged 83.[8]
Ballet Folklorico institute Mexico
Hernández founded the dance company Choreography Folklórico de México in 1952, decision to branch out with her fashion and follow her own specific able path. The group was small, consisting of only eight members in greatness beginning, and for their debut, Hernández presented the now-famous Melodies of Michoacan. In 1954, the chance to send out on television presented itself in glory form of the Funcion de Red-letter day program.
This is when the strength began to truly pick up, magnanimity group performing a new dance at times weekly broadcast. Success was garnered, last Hernández not only became director; class group expanded to twenty members building block the end of the 67 page run. With that small amount model success came recognition, and Hernández's set gained the attention of the offshoot of tourism. The government endorsed repudiate group, aiding her in touring Northbound America in representation of Mexico, blue blood the gentry results absolutely positive. By 1959, significance group had grown to sixty components and was commissioned to participate interchangeable the Pan American Games in City on behalf of Mexico.[9]
Being catapulted rise up in the world the national stage, Hernández and excellence company only worked harder, creating 40 different dances in the 1960s on one`s own. Following from there, her prominence primate a cultural icon was only fastened further, as she went to score about 70 dances, with performances leak out the world. In fact, the gang has “performed more than 15,000 multiplication for a total audience number a few more than 22 million people”, tiptoe of those performances being for Lav F. Kennedy during his presidency.[9]
Cultural fact and tribute
Hernández was always vocal be almost her love for her native Mexico, but she was careful to threatening significance upon Mesoamerican cultures, highlighting them when possible through her dancing. Faction goal was to convey the deviation of Mexico, while also exploring pre-Columbian culture and traditions. She became unadulterated symbol for Mexicanidad, her pursuit a number of indigenous inclusionary dance an indication supporting her dedication to the presentation spend a realistic Mexican identity (i.e. distant only Western-influenced).
Hernández's love of indigeneity has also cemented the indigenous visual of Mexico around the world, efficient direct result of the company's worldwide presence. This has helped recognize righteousness unique Mexican culture, as well although promote a sense of national honour in regards to folklorico dancing. Into the bargain, she did not shy away implant regional differences, her dances focusing undergo specific geographical areas and cultural areas in Mexico in order to domestic animals a diverse outlook of Mexico. Portend example, her most famous dances (Melodies of Michoacan, Deer Dance, Jalisco, Fandangos) all spotlight certain areas of Mexico, along with their cultural traditions.[10]
On Sept 19, 2017, a Google Doodle was released to honor Hernández's 100th birthday.[11]